Acknowledgements
This research has been financed by the Estonian Research Agency (IUT 3-2 Culturescapes in transformation: towards an integrated theory of meaning making; IUT18-8 The Making of Livonia: Actors, Institutions and Networks in the Medieval and Early Modern Baltic Sea Region) and by the European Union through the European Regional Development Fund (Centre of Excellence in Cultural Theory), and research grand no 9027 of the Estonian Ministry of Education.